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Older signals of cultural eliteness have begun to failI greatly enjoyed Scott Alexander’s latest post about popular things being silenced.
It reminded me of his (really great) post about James Damore.
Also of Danusha Goska’s post about some lives mattering more than others.
There’s an obvious thread running through them about red state/blue state mentalities and power relationships.
Tom Wolfe, in The Painted Word (pdf) wrote a very short, very precise account of how cultural elites come to dominate a cultural domain:
Wolfe writes better than I do, and also he is very funny (and the book is short, did I mention short?).
In reading the above posts, the question I keep having is: why are people pushing progressive narratives so strongly?
My proposition is that with the internet and increased importance of pop culture, older signals of cultural eliteness have begun to fail (Art is just one of many).
Cultural elites have switched to progressivism, and applied the same techniques that they applied to art:
My point is: instead of pointing out the hollowness of the arguments, can we talk about why it is that hollow arguments have gained such power?
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